Selasa, 29 November 2016

Ebook Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes

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Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes

Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes


Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes


Ebook Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes

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From School Library Journal

Grade 3–6—Hayes has a well-deserved reputation for classy, catchy retellings of Latino stories, predominately those from the desert Southwest of the United States. This collection takes him farther afield but maintains the quality of narrative and the characteristic "tellability" that readers and storytellers have come to expect of him. The title story relates the acquisition of fire from an old witch by two canny jimaguas, the Cuban term for twins. This story is similar in structure to Native American tales in which the thief is Coyote or Raven; here the siblings employ music and dance as their method. Many of the tales share this characteristic: a typical folktale motif combined with uniquely Cuban elements. "You Can't Dance/No baila" tells how the animals of the forest join forces to rid themselves of a pesky family of devils. Tales such as this one which involve tricking an evil character into harming himself, are widespread, as is the element of using an animal's behavior (in this case that of turkeys tucking their heads under their wings) to drive the action. "Buy Me Some Salt" is a Cuban variant of the Appalachian tale "Soap, Soap, Soap." Throughout, the tellings are clear and amusing, equally well adapted for reading or for listening. Sayago's acrylic illustrations are bright and bold, with black-outlined, highlighted shapes that almost resemble stained glass. They ably complement the text, but certainly the narrative stands alone.—Ann Welton, Helen B. Stafford Elementary, Tacoma, WA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"Hayes’s language is characteristically expressive and descriptive in both languages. A bold pastel illustration that beautifully celebrates Afro-Cuban culture accompanies each story.…A great acquisition for upper elementary and middle school libraries, and an excellent resource for storytellers." —Críticas, starred review"Lively, often funny and sometimes a bit scary…Eminently tellable, all the stories have refrains and songs sure to get audiences joining in." —Kirkus Reviews"A lively bilingual collection of 13 folktales from Cuba with the type of vivid color illustrations books from Cinco Puntos Press typically include." —World Wide Work bulletin"The accessibility of Hayes’ vivid but streamlined language coupled with rock-solid structure of the stories themselves (replete with the repetition and building of tension that tellers and listeners rely on) make this accessible both to young readers and to storytellers and other adult readers-aloud." —Bulletin of the Center for Children’s Books"Readers will have fun doing both with these unique and entertaining stories…A full page illustration precedes each of the thirteen folktales and provides readers with a perfect visual reference for the stories that Mr. Hayes has taken care to retell in the Cuban tradition." —Review of Texas Books"This collection of Cuban folk tales is a delicious mix of stories passed down for generations. Hayes, who first visited Cuba in 2001, fell in love with the island and its people and that love is reflected in his delightful book. These are stories that are even better when read out loud." —Tucson Citizen"Hayes has captured the essence and diversity of Cuba…Perfect for teaching bilingual students or units on world myths in the classroom. Recommended." —REFORMA newsletter"This colorful bilingual anthology of thirteen Cuban folktales has sabor, the flavor of the Caribbean, bringing the rich mixture of Spanish, African and American influences to his readers. Cuban folkloric wisdom and wit fill these pages. There is a rhythmic quality to the linguistic expression in both the English and Spanish narratives, reminiscent of the importance of rhythm in the Cuban way of life." —The American Folklore Society: Aesop Prize commendation

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 6

Hardcover: 128 pages

Publisher: Cinco Puntos Press; Bilingual edition (October 1, 2008)

Language: English, Spanish

ISBN-10: 9781933693170

ISBN-13: 978-1933693170

ASIN: 1933693177

Product Dimensions:

9 x 0.6 x 10.9 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#940,455 in Books (See Top 100 in Books)

I bought this book after checking it out several times from the library. These bilingual Cuban folk tales are whimsical, wise and fascinating. The stories are from the "once upon a time" past that reflects a mixture Spanish, African and Caribbean heritage. The intended audience may have been school children but adults will enjoy it. I am an adult trying to learn Spanish and this book is an interesting break from workbooks. One favorite story is "Yams don't talk" which features a tricky turtle and the efforts a young couple to get the king (who else?) to solve the problem of their talking yams. Stories provide insights into human character but are not preachy. This purchase was the first time I bought a used book from Amazon. The book arrived in good condition as promised.

Terrific way to teach folktales in Spanish and English. It's a lovely resource for families or the classroom.

There are a variety of tales to enjoy.

I'm a professional storyteller and find this book to be useful and delightful.

Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes PDF
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Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes PDF
Dance, Nana, Dance / Baila, Nana, Baila: Cuban Folktales in English and Spanish (English and Spanish Edition), by Joe Hayes PDF

Rabu, 23 November 2016

PDF Download The Art of Manipulating Fabric, by Colette Wolff

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The Art of Manipulating Fabric, by Colette Wolff

The Art of Manipulating Fabric, by Colette Wolff


The Art of Manipulating Fabric, by Colette Wolff


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The Art of Manipulating Fabric, by Colette Wolff

Amazon.com Review

Those who knit, crochet, or embroider have long had sources to which to turn for in-depth instructions on specific stitches and stitch combinations. Now there is such a reference for the sewer--an encyclopedic approach to gathering, shirring, ruffling, tucking, pleating, and quilting and their myriad variations. Filled with hundreds of diagrams and crisp black-and-white photos, this volume explains in detail how to achieve a tremendous range of three-dimensional fabric effects. This is not a book of particular projects; this is a book of instruction and inspiration for anyone who has ever wielded needle and thread. --Amy Handy

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Product details

Paperback: 312 pages

Publisher: Krause Publications; 1st edition (October 1, 1996)

Language: English

ISBN-10: 9780801984969

ISBN-13: 978-0801984969

ASIN: 0801984963

Product Dimensions:

8.2 x 0.6 x 10.9 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

272 customer reviews

Amazon Best Sellers Rank:

#30,827 in Books (See Top 100 in Books)

I live this book to customize by details that are different and not en mass. It really allows you to manipulate the fabric to make glorious clothing that no one else will have.

I love, love, love this book! It is well written, full of amazing examples, very readable. I've tried quite a few of the techniques in the book, found a few errors (such as one of the smocking patterns is not correct) but the description and photos are so accurate that it isn't difficult to figure out what to change. One of the most clever things about this book is that all the examples are done using the same undyed muslin fabric so you really focus on the fabric manipulation. For quilters, crafters, couture designers and all other sewers this book is a great "bible" of techniques to keep on hand. And so much fun to read through and imagine what you will make next!

Encyclopedic. This book is nothing more nor less than a categorized set of instructions for three-dimensional fabric manipulations. It's pretty exhaustive as a relates to endless variations of gathering, pleating, etc. These are not the only ways to manipulate fabric into shapes, of course. There are plenty of pattern, cut, and sew techniques that produce dimensional effects also. And, in fact, a few of the techniques in this book can be combined in that way, too.As many, many others have pointed out, the photos are black-and-white, the fabric used for demonstration is muslin, and the instructions are high-level. I.e., you better have some background sewing experience and a solid grounding at least at the intermediate level to really take advantage of this book. If you do have that, you are really going to enjoy this book! It truly is one of the better sewing technique books I have encountered in many years. On the flipside, if you do not have the background, if you need detailed step-by-step instructions along with a matching pictures, or don't have a good grasp of sewing terminology, this is absolutely not the book for you!Both my wife and I read this book cover to cover, which is pretty amazing for a technique book of any kind. And it will be used for projects immediately. (Please note this is not a project book!)As with any technique book with such scope, there is more breadth than depth in some areas. Entire books can and have been written on many of the individual techniques or categories of techniques described here. So if you are really advanced quilter, you will find the quilting section thin. If you are a smocker, the smocking section will appear thin. And so on. Much of the value is in opening your eyes to possibilities – and with enough information to execute on them.This one is a lot of fun for its target audience. Those who are not in that category will find it something of a frustrating head scratcher.

This really is a book about how to perform miracles with fabric! I disagree with Gingercook that this is not a book for novices or beginning seamstresses. I am just learning to use my Viking Topaz 30, taking lessons at the best sewing shop in Las Vegas, but I LOVE this book and, as others have said, cannot put it down! I have found ANSWERS to every question you could possibly have concerning getting fabric to do what you want it to do. I want to make a ruffle skirt for my 4 year old grand-daughter, but I want to make one with ruffles that stand out and "float" - not just hang there. Maybe other people know about Circular Flounce and cutting the ruffle pieces (as it shows on page 67) from a CIRCLE OF FABRIC - the strip closest to the center of the circle has tremendous flare, the next strip not so much and the third strip (which is cut farthest from the center of the circle has very little flare. The diagrams in this book are the best I have ever seen and they are on every page, helping you to understand, totally, how to do each step. It explains GRAINLINE BALANCE ON PAGE 70, with diagrams. Sorry but I had never heard of grainline balance, but I will never forget it now! I had never heard of a GODET, now I can't wait to try to make one and the SQUARE GODET shown on page 84 is one of the most beautiful things I have seen. Just take a large hankerchief (or large square of fabric) hold it by one of the 4 corners and let the fabric drape by itself. The drawing on page 84 shows this with 4 folds ending in a handkerchief edge. I can't wait to try to make one. I am taking this book to my instructors so they can teach me how to make a godet (go-day).I have never seen so many different drapery pleats. I especially like the CARTRIDGE PLEAT. Colette not only shows you all the different pleats, but she also shows you how to change them and make them look completely different.This book is an INSPIRATION, but it is not a book about which fabric to choose to make the miracles happen. It is about being able to make these miracles happen with ALL KINDS OF FABRIC.I'm taking classes in Heirloom sewing and this book shows how to do many of the Heirloom techniques and shows it with diagrams, making it easy to understand how to do all those intricate, gorgeous Shark's Teeth, Slashed Tucks, Keyhole Tucks, etc. The book also includes a chapter on Quilting and one on Stuffed Quilting & Applique, teaching you things that almost make you drool - because they are pieces of art and belong in a museum.I purchased this book on a whim while I was deciding whether or not to purchase the Colette Sewing Handbook by Sarai Mitnick and I ended up buying both of them.EVERY PERSON WHO SEWS OR WHO IS THINKING OF SEWING SHOULD OWN THIS BOOK. It is an inspirational book and a book of HOW TO PERFORM MIRACLES with fabric!

Good information, but I was very disappointed because all the pictures are black and white, and it is difficult to see the detail. I would have paid a little extra to have those pictures in High Definition and in color.

If you are a sewer, crafter, quilter, embroiderer, or textile artist of any kind you will LOVE this book! I accidentally ordered 2, but once I got them I decided to hang onto the extra to give as a gift. Clear, simple explanations of a variety of techniques from the mundane to the fantastic. Each section shows you a technique, such as pleating, and progresses from the basics to the more artistic uses of that technique. Lots of pictures and diagrams, as well as explanations for both hand and machine work. It will make you start projects you didn't know you wanted to do!

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Selasa, 22 November 2016

PDF Download American Map Huntsville, Al Atlas

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American Map Huntsville, Al Atlas

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American Map Huntsville, Al Atlas

Product details

Series: American Map

Paperback: 191 pages

Publisher: Amer Map Corp (August 20, 2008)

Language: English

ISBN-10: 0841608784

ISBN-13: 978-0841608788

Product Dimensions:

9 x 0.5 x 11 inches

Shipping Weight: 11.2 ounces

Average Customer Review:

3.4 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#8,879,603 in Books (See Top 100 in Books)

It was very outdated. Most of the new developments of Huntsville/Madison wasn't even on the map. It will be good for places that have been here for a while but I will be looking for a more current map book.

The American Map Company provides an accurate, intuitive, and quality product. I use the map book regularly and have found it reliable and convenient.

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Senin, 21 November 2016

Download From Bangkok to Siberia Via the Marrakech Express: Russia, Morocco, Thailand and Malaysia, by William Bleasdale

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From Bangkok to Siberia Via the Marrakech Express: Russia, Morocco, Thailand and Malaysia, by William Bleasdale

Product details

Hardcover: 256 pages

Publisher: The Book Guild Ltd (November 5, 2011)

Language: English

ISBN-10: 1846246245

ISBN-13: 978-1846246241

Product Dimensions:

6.5 x 1 x 9.5 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#10,674,148 in Books (See Top 100 in Books)

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Selasa, 08 November 2016

Download Ebook The Divine Liturgy: A Commentary in the Light of the Fathers, by Hieromonk Gregorios

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The Divine Liturgy: A Commentary in the Light of the Fathers, by Hieromonk Gregorios


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The Divine Liturgy: A Commentary in the Light of the Fathers, by Hieromonk Gregorios

About the Author

Hieromonk Gregorios (in the world Panagiotis Hatziemmanuel) was born in Mytilene in 1936. He studied theology at the University of Athens, and then pursued graduate studies in area of Patristic Theology in Straßburg. After the completion of his studies he returned to Mytilene. There, in August of 1966, he received the Monastic Schema and was ordained to the Holy Diaconate. In September of the same year he was ordained to the Holy Priesthood, and the following month he departed for the Holy Mountain (Athos). In August of 1968, accompanying the blessed Geronta Paisios and Archimandrite Vasilios, he took up residence at the Sacred Monastery of Stavronikita, and together they organized a new koinovion (cenobitic house). In 1971, Fr. Gregorios received the offikia of Spiritual Father, a ministry which he continues to serve in both Greece and Germany. Since 1980 he has lived, together with his brotherhood, in the Cell of St. John the Theologian, a dependency of the Sacred Monastery of Koutloumousiou. His systematic engagement with the writings of the Fathers has borne fruit in articles, homilies and approximately 20 books (liturgical, pastoral, catechetical). He is most well-known for his book The Divine Liturgy: A Commentary in the Light of the Fathers, which has gone through multiple editions and been translated into many foreign languages.

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Product details

Paperback: 396 pages

Publisher: Newrome Press, LLC (May 30, 2012)

Language: English

ISBN-10: 0981731767

ISBN-13: 978-0981731766

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#276,966 in Books (See Top 100 in Books)

And surprisingly relevant across Christian denominations.Orthodox Christians will of course find immense value in learning more about what happens at Liturgy each Sunday and Holy Day.Catholics, especially traditionalists and those who want to learn more about pre-Vatican II worship, will see the correspondence to the Traditional Latin Mass and rites other than the post-V2 Novus Ordo.Protestants who love the Bible will be amazed at how the entire Divine Liturgy - from the prayers before the Liturgy begins to post-Liturgy prayers - is absolutely drenched in Biblical quotes and references.It will also speak to open-minded non-Christian historians who would like to know how the early Christian Church worshipped and believed.In short, one of my top 10 books of all time.

This book is a wonderful explanation of the riches and richness of the Divine Liturgy and is presented in a way accessible to anyone who can read. The adult study group at my church has been sharing this book on a weekly basis and everyone is agreed that this book is a gem, and a beautiful text. I would heartily recommend this book to anyone who wants a deeper, richer understanding and appreciation of the Divine Liturgy.

This may very well be the best single volume available on The Divine Liturgy. Whether one is Orthodox or not, it is a wealth of information for anyone interested in the one event that is at the heart of Orthodox life and worship.

Love it

It is so good to real a commentary that is so infused with the knowledge and the wisdom of the Fathers.

There is no doubt that many will attend the Divine Liturgy and not fully understand what takes place to create the greatest of all mysteries, this publication provides complete explanations and enables to worshipper to enter the spiritual aspects of all the acts that take place to bring one closer to Christ the Savior and to enter that noetic condition necessary to participate fully in the entire sacrament. Hieromonk Gregorios has provided Christians with all the meaning of Christ's sacrifice. The publisher has made this treasure available to all Orthodox and for that I am extremely grateful.

Hieromonk Gregorios' commentary is brilliant. As a "play-by-play" look at the Diving Liturgy of St John Chrysostom Hmk Gregorios elucidates and enlivens the text of the liturgy through copious quotes from the Church Fathers. With extensive footnotes, bibliography, indices and a glossary, this book serves as a valuable reference to any who want to deepen their understanding of the Liturgy.

Excellent! Am RC , but am interested in orthodox liturgies and customs. This is great.

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Selasa, 01 November 2016

Download Ebook Scorpion Mountain (The Brotherband Chronicles), by John Flanagan

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Scorpion Mountain (The Brotherband Chronicles), by John Flanagan

About the Author

John Flanagan grew up in Sydney, Australia, hoping to be a writer, and after a successful career in advertising and television, he began writing a series of short stories for his son, Michael, in order to encourage him to read. Those stories would eventually become The Ruins of Gorlan, Book 1 of the Ranger’s Apprentice epic. Now with his companion series, Brotherband Chronicles, the novels of John Flanagan have sold millions of copies and made readers of kids the world over. Mr. Flanagan lives in the suburb of Manly, Australia, with his wife. In addition to their son, they have two grown daughters and four grandsons. You can visit John Flanagan at www.RangersApprentice.comwww.BrotherbandChronicles.com

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter One “Whoa there, Tom! Steady on, fellow!”            Tom was a plow horse, well past middle age and resigned, like most of his placid breed, to the constant task of plodding up and down, hauling a plow that carved consecutive furrows in the rich earth of Halder farm. He wasn’t accustomed to being stopped in mid-furrow and he turned his shaggy head to look at his owner, Devon Halder.            Devon, like his horse, was well past middle age. And the smock that he was wearing was liberally daubed with patches of drying mud. Later that night, when he was asked in the local tavern what led him to stop and and turn around, he couldn’t really recall. Perhaps he had heard the slight sounds of creaking leather and rope, or the rustle of a sail in the brisk wind.            Whatever it was, it was enough for Devon to halt Tom and turn to face the river behind him. When he did, the sight that met his eyes sent a sudden jolt of panic through him.Barely forty meters away, gliding smoothly up the river, was a ship.His first thought was that she was a wolfship, and Devon was old enough to remember when the sight of aSkandian wolfship on the river was a prelude to a sudden, savage attack. He tensed his muscles to run and spread the alarm in the nearby village. But he paused at the last second.The days when Skandians used to raid the coastal and river villages of Araluen were well in the past now.And besides, on sec­ond glance, this was no wolfship.She was similar in style and shape, sure enough. She was slim waisted and had a look of speed about her.She didn’t have the broad, capacious lines of a cargo hull. But there was no large square sail such as a wolfship would use. Instead, this ship was rigged with a triangular sail that was mounted fore and aft along the line of the ship, supported by a long, gracefully curving spar that swept up high above the hull.She was smaller than a wolfship. Also, at her bow post, there was no carved wolf ’s head, with raisedhackles and snarling teeth. Instead, there was a carving in the shape of a bird’s head. And there was a motif of a seabird in flight on the sail—a graceful bird with wings spread wide. A heron, Devon realized.            But the four circular wood-and-metal-reinforced shields ar­rayed down the starboard bulwark were unmistakably Skandian in design, although he noticed that a fifth shield, set level with the helmsman’s position, was shaped like a triangle.            The crew, those he could see, were dressed in Skandian fash­ion—with leather and sheepskin vests and leggings held secure by crisscross bindings. Yet he saw none of the horned helmets for which the Skandian sea wolves were well known, the sight of which would strike fear into any honest farmer’s heart. Instead, several of them wore dark woolen watch caps, rolled down to cover their ears against the cold.            As he watched, the figure at the helm raised a hand in greeting. Devon shaded his eyes to look more closely at the helmsman. He appeared to be quite young, and relatively slim for a Skandian. The person beside him was more like a typical sea wolf, Devon thought. He was bulky, with wild gray hair blowing in the wind. As Devon watched, he realized that the second man had a wooden hook in place of his right hand.            Definitely a sea wolf type, he thought. But then the man made a similar gesture of greeting. Devon returned the wave cautiously— his suspicions were still raised. Small as she might be, this was definitely a cruiser, a raiding ship. She was fast, lean hulled and potentially dangerous. And, as the shields arrayed down her bul­wark attested, her crew were fighting men. He watched her closely as she sailed past, gradually pulling out into the center of the river to round the approaching bend. The helmsman and his companion lowered their hands and seemed to lose interest in the elderly farmer and his plow horse. “That’ll give him something to talk about in the tavern tonight,” Thorn said with a grin. “Probably the most exciting thing that’s happened to him since his plow got stuck on a tree root five days ago.”Hal raised an eyebrow. “Us? Exciting?”Thorn nodded, scratching his rump with the blunt end of his wooden hook.“He was a graybeard. He’d remember the times when the sight of a Skandian ship meant a raid. I’msurprised he didn’t go pelting off to raise the alarm when he saw us.” Thorn had no idea how close the farmer had come to doing just that.As they rounded the bend and the farmer and his horse disap­peared from sight, Kloof planted her forepawsonto the starboard bulwark and gave out a single bark. Then, content that she had asserted her superiority over all things Araluen, she dropped back to the deck, slid her front feet and flumped down onto the planks. For a few seconds, she watched Hal out of one eye, then she sighed and settled back to sleep.Hal cast his gaze over the tilled fields and green forests that lined the banks of the river. It was attractivecountry, he thought.“Did you ever raid in Araluen, Thorn?” he asked.The old sea wolf shook his head. “Erak preferred to raid the Iberian coast, and sometimes Gallica orSonderland. And now that I’ve seen Gilan in action with that bow of his, I’m glad he did. Maybe Erak knew something. Imagine facing half a dozen archers with Gilan’s skill and speed.”“Facing one would be bad enough,” Hal agreed.Stig was sitting on a coil of rope several meters away, idly put­ting an edge on his already razor-sharp saxeknife as he listened to their conversation.“D’you think Gilan will be at Castle Araluen yet?” he asked.Originally, they had planned to leave Cresthaven Bay at the same time as the Ranger, who was ridingoverland back to the capital. But they’d had a long, hard voyage south to Socorro and Hal wanted the Heron in tip-top shape for her first appearance at Castle Araluen. There were some sections of running rigging that had frayed and needed splicing and repairing, and there was a large, splintered gash in one of the planks on the waterline, where they had nearly run aground pursuing Tursgud’s renegade ship Nightwolf through the shoals. It took half a day to plane that smooth and repaint the timber so there was no sign of the damage.            In addition, Edvin wanted to replenish their stores and fresh food and suggested that they should do it at Cresthaven, where the village was contracted to supply their needs as part of the duty ship agreement.            “No point spending our money elsewhere when they’ll provide it for nothing here,” Edvin had said, and Hal agreed.            As a result, they sailed out of Cresthaven and headed north to the river mouth some two days after Gilan had ridden off, waving farewell as he topped the rise above the bay where they were moored.            “He should be,” Hal replied to Stig’s question. “It’s a little over a day’s ride and I’m told those Ranger horses cover ground at a prodigious rate.”            “He can have the welcome committee ready for us then,” Thorn added. “Maybe this king of theirs will come down to the jetty to greet us.”Hal smiled sidelong at his old friend. “From what I’ve heard of kings, they don’t stand around on windyjetties waiting for rough­neck sailors to arrive.”“Do you consider yourself a roughneck?” Thorn asked. “I’ve always thought of you as quite sophisticated.”“I may be. But you’re roughneck enough for all of us,” Hal told him and Thorn grinned contentedly.“Yes. I’m glad to say I am.”Farther forward, in the waist of the ship and with no responsi­bilities to attend to during this current longreach of the river, the twins were bickering, as they were wont to do. They had been silent for some time, much to the crew’s relief, but that was a situation too good to last.“You know that brown-eyed girl who was sitting on your lap at the welcome-home feast?” Ulf began.Wulf eyed him suspiciously, before replying. “Yes. What about her?”Ulf paused, smiling quietly to himself, preparing to throw out his verbal challenge. “Well, she fancied me,”he said.Wulf looked at him, eyebrows raised. “She fancied you?”Ulf nodded emphatically. “So you noticed too?”Wulf snorted in annoyance. “I wasn’t agreeing,” he said. “I was querying you. That was why I raised myvoice at the end of the sentence. It signified that I was saying, What do you mean, she fancied you?”“I mean she found me attractive—actually, very attractive. It was obvious, after all.”Wulf paused for several seconds. “If it was so obvious that she fancied you—that she found you attractive—why was she sitting on my lap?”Ulf waved his hand in a dismissive gesture. “That’s what makes it so obvious. She wanted to make mejealous, so she played up to you. She was playing hard to get.”            “Well, she played it very well. You certainly didn’t get her,” his brother told him, with some heat in his voice. He had noticed Ulf admiring the girl early in the evening and had swooped, success­fully, before his brother could act.            Lydia, who was leaning on the bulwark several meters away, groaned audibly as the exchange continued.            Ulf laughed. “I could have if I wanted to. She was overwhelmed by my devilish good looks.”            “Devilish good looks? You’re as ugly as a mange-ridden mon­key,” Wulf told him. But his brother was already shaking his head.            “It’s odd that someone as unattractive as yourself would say that,” he replied. “That was why she chose to sit with you when she planned to make me jealous. She chose the most unattractive per­son she could see.”            “Then obviously,” Wulf retorted, “she couldn’t see you.”            Of course, what made this discussion puzzling for the rest of the crew was that Ulf and Wulf were identical in every respect. For one of them to call the other ugly was for him to call himself ugly as well. But they never seemed to grasp that fact.            As they continued speaking, their voices, at first lowered, rose in volume so that the entire crew could listen to their meaningless drivel. Hal decided that enough was enough.            “Ingvar?” he called.            The massively built boy was sitting forward of the mast, lean­ing back against it, his long legs splayed out on the deck before him. He turned and peered back toward the steering position.“Yes, Hal?”“Would you say that sailing down a river counts the same as being at sea?”The rules of the ship were that if the twins carried on one of their idiotic arguments at sea, Ingvar waswithin his rights to throw one of them overboard. In fact, some of the crew felt, he was obliged to throw one overboard. Usually, a reference to this fact was enough to stop the mindless discussions they enjoyed so much.Ingvar shrugged. “Eh? Oh, I don’t know. I suppose so.”His voice was distracted and flat. Lydia, a few meters away, noticed this and turned to look at him,frowning. Hal mirrored the expression. Usually Ingvar was good tempered and cheerful. Now he sounded listless and bored. Hal wondered if something was on the big boy’s mind.Ulf and Wulf fell instantly silent. These days, they were never quite sure how much rope Hal would givethem before he ordered the huge Ingvar to toss one or the other, or even both, overboard. Discretion was the better part of valor in such a case.Hal noted that they had stopped arguing, and he nodded in Ingvar’s direction. But the young giant wasn’tlooking his way any­more. He had resumed his seat against the mast, and Hal heard him give vent to a loud sigh. Hal looked at Stig, who was also watching Ingvar curiously.“Have you noticed Ingvar’s been acting strangely for the past few days?” Hal asked his first mate.Stig nodded, a slightly worried look on his features. “Some­thing definitely seems to be on his mind. I’vebeen wondering . . .”Whatever it was that he had been wondering was forgotten as the ship swept past a high bluff. In the neardistance, set among tailored and carefully tended parkland, stood the majestic, beauti­ful Castle Araluen, a mass of graceful spires, soaring turrets, flying buttresses and fluttering pennants.            “Gorlog’s earwax!” Jesper said. “Will you take a look at that!”

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Product details

Age Range: 10 and up

Grade Level: 5 - 6

Lexile Measure: 850L (What's this?)

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Series: The Brotherband Chronicles (Book 5)

Paperback: 480 pages

Publisher: Puffin Books; Reprint edition (September 8, 2015)

Language: English

ISBN-10: 0142427276

ISBN-13: 978-0142427279

Product Dimensions:

5.1 x 1.2 x 7.8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

277 customer reviews

Amazon Best Sellers Rank:

#71,016 in Books (See Top 100 in Books)

Great author, this is kind of a continuation to the Rangers Apprentice series. Different story line but some of the same characters. He has a humorous writing style that my teenage boys really enjoyed reading, and they typically don't enjoy reading at all. I even enjoyed reading them when my boys were finished with them.This is a good stand alone series, but to get the full story read the Rangers Apprentice first, then this series.

This is my favorite of the Brotherband series so far!! I love that it brings the Brotherband characters into the Ranger's Apprentice World. It made me so happy because I miss Araluen and the Rangers, and the intersection of the two worlds was well executed. My only complaint about the Brotherband series is that it goes over too many details about the changing of sails, etc, every time. I don't mind it once in a while, but it starts to wear a little thin. That being said. I am really enjoying this series, too, as the mother of two boys who introduced her to the Ranger's Apprentice. RA is still by far my favorite of the two, but this one is fabulous in its own right.

This is definitely an amazing book. It's got just the right amount of humor, peril, and genius to make it an interesting read. I love the characters' personality. They're all slightly unique in their own way. I do wish that in the next book that the Heron crew meet Will and Halt and Horace. It would really improve the storyline. (If you're reading this, John A. Flanagan, please take this suggestion into consideration. Thanks!) Except for that small note, this is an overall enjoyable book.

Great to get back into the world of Hal and the Brotherband. This is a great new story in a similar style of the series. Fits in well and quality is consistent. A great read!

Scorpion Mountain is full of adventure, grand battles, brilliant schemes, friendship and lots of humor. John Flanagan's books are so awesome to read!

Love this author and both his series of books. A good read for maybe 10 years old and up.

All of John Flanagan's books in this series, and The Ranger's Apprentice are absolutely AMAZING. Decided to proof read them for my daughter, and I got more into them than either of us expected, to the point that we both stayed up till 3 a.m. reading. Incredible books.

I really liked this book. I hope Flanagan makes more.

I buy these for my son and then read them myself. Yea, yea, I'm an adolescent at heart with receding hair and gums, but they really are great fun. Snarling bad guys and stout hearted good guys, what more could you ask for?

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